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The best that can be said for writer-director Desmond Nakano’s rather abstract premise is that it becomes playable only after the viewer is persuaded to overlook it, and only because the class differences of Travolta and Belafonte wind up registering more strongly than their racial differences do.
Produced by Lawrence Bender — who brought us Reservoir Dogs and Pulp Fiction, two other movies preoccupied with race that are equally unwilling to handle the subject directly — this settles down to being a watchable oddity that doesn’t really take off; with Kelly Lynch, Margaret Avery, and Tom Bower. Read more » Unfolding in real time, from the moment a CPA (Johnny Depp) arrives at Los Angeles’s Union Station with his little girl to the moment 90 minutes or so later when a political assassination is supposed to occur in the Westin Bonaventure Hotel a few blocks away (the same hotel, if memory serves, that provided the climax for In the Line of Fire), this crackerjack paranoid thriller is a skillful example of what Hollywood used to do so well in the 40s and 50s, in sleepers like The Window and Don’t Bother to Knock.
He meets Kate in a bar at a birthday party of a mutual friend, and tries to suggest that “adventure” is what she needs. Audiences, of course, got to know Daniel Franzese from the hit film, “Mean Girls,” but his film debut was in Larry Clark’s “Bully.” In 2010, he played Stanley in the update of the highly controversial “I Spit on Your Grave.” He has played notable television roles on “Burn Notice,” “The Comeback” and “Party Down.” In addition, over the last five years, Franzese has become well-known in the LA art scene.
Dating in LA and Other Myths Amy & Nancy Harrington over at Pop Culture Passionistas just did a great profile piece on writer/producer Patricia Steffy and the series in LA and Other Myths Exclusive: BONES Star Tamara Taylor Signs on to DATING IN LA AND OTHER URBAN MYTHS by Marisa Roffman Dating in LA and Other Myths Kristoffer Polaha has joined the cast in the role of Alex.
Over the course of two years, Steffy interviewed friends, friends of friends, etc asking them questions about how their adult realities compared to the expectations they had about life when they were younger.
Some pieces are funny, some sad, some outrageous and some heartbreaking.
A veritable film festival of macho self-pity from actor-turned-writer/director Sean Penn, adapting a novel by David Rabe.
Spencer (Troian Bellisario) got cozy with Shakespeare aficionado Colin (Oliver Kieran Jones) in London, only to learn that Melissa (Torrey De Vitto) had lied about her college interviews in order to get her out of the country in case Ali named her as the accomplice.My Letter to Fear Producer Patricia Steffy saw her essays performed by an all-star cast on September 20th. Dating in LA and Other Myths Singer/Composer Rain Perry has composed an incredible theme song for the series! In the meantime, editing continues on the behind-the-scenes features for the presentation pilot DVD.The show was directed by Danielle Turchiano and featured readings from Nikki De Loach (Awkward.), Lesley Fera (Pretty Little Liars), Stevie Lynn Jones (Crisis), Jen Lilley (Days of our Lives), Roma Maffia (Pretty Little Liars), Julie Mc Niven (Supernatural), Dennisha Pratt (The Sunny Side Up Show), and Carla Renata (Hart of Dixie). My Letter to Fear (Essays on life, love and the search for Prince Charming) Producer Patricia Steffy has released a collection of essays.(David Morse, who plays the driver, gives a relatively sharp and understated performancefor me the only bearable thing in the movie). Read more » This starts off as a dopey (if well-intentioned) racial allegory and then gets somewhat better, simply because its casting winds up saying more than its script.Wallowing in pretension, the movie even tries pornographically to milk our awareness of Nicholson and Angelica Huston’s old relationship when their characters converse as a former couple. In a universe where white people are treated like black people and vice versa, a loyal factory worker (John Travolta) gets laid off by his wealthy, racist employer (Harry Belafonte); after struggling to regain his footing, the former worker winds up kidnapping his former boss.